Danny to fill in for Herb in September Primus shows

Primus and Tool fans are in for a treat the September as Danny is set to fill in for Tim “Herb” Alexander for a few shows in September. Rolling Stone reports:

The drummer will be joining the bass-rumbling alt-rockers for their Riot Fest appearances in Chicago and Denver, as well as an after party at the Windy City’s Concord Music Hall on September 13th. Claypool reports that they decided to go through with the shows as a way to give Alexander some financial relief and that Carey was their top choice, since “we figured it would be hard to get [the Police's] Stewart ‘Stew-daddy’ Copeland out of his ivory tower,” as Claypool joked.

As most of you already know, Herb suffered a heart attack not long ago and went under the knife for a triple bypass. He’s expected to be back behind the kit for the Primus tour in October. I’m sure most of you also know Herb drummed on the first A Perfect Circle album, as well as with Puscifer.

Danny also drops another Tool album tidbit:

As for Carey, he and his fellow Tool bandmates are currently working on the follow-up to their 2006 album, 10,000 Days. Although the group recently detailed for Rolling Stone the reasons why it has taken so long to make a new record – chiefly a lawsuit with an insurance company that keeps presenting new, time-sucking obstacles – Carey and guitarist Adam Jones reported they have written enough music for a new album but are editing it down to songs. “It’s all a little more ‘metal’ sounding, if I may,” Carey said at the time of the group’s direction. “I’m having fun drumming on it.”

It’s not the first time Les & Danny have collaborated by the way:

Maynard to guest on Flaming Lips Sgt. Pepper’s Lonely Hearts Club Band cover album

According to Consequence of Sound, Maynard will be appearing on the forthcoming Flaming Lips cover album based on the Beatles classic Sgt. Pepper’s Lonely Hearts Club Band. He will be on the track Being for the Benefit of Mr. Kite!:

With a Little Help From My Fwends Tracklist:
01. Sgt. Pepper’s Lonely Hearts Club Band (feat. My Morning Jacket, Fever the Ghost, and J Mascis)
02. With a Little Help from My Friends (feat. The Flaming Lips, Black Pus, and The Autumn Defense)
03. Lucy in the Sky with Diamonds (feat. Miley Cyrus, Moby, and The Flaming Lips)
04. Getting Better (feat. Dr. Dog and Chuck Inglish)
05. Fixing a Hole (feat. Electric Wurms)
06. She’s Leaving Home (feat. Phantogram and Juliana Barwick)
07. Being for the Benefit of Mr. Kite! (feat. The Flaming Lips, Maynard James Keenan, and Sunbears)
08. Within You Without You (feat. Birdflower and Morgan Delt)
09. When I’m Sixty-Four (feat. The Flaming Lips and more)
10. Lovely Rita (feat. Tegan & Sara and Stardeath and White Dwarves)
11. Good Morning Good Morning (feat. Zorch, Grace Potter, and more)
12. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) (feat. Foxygen and MGMT)
13. A Day in the Life (feat. The Flaming Lips and Miley Cyrus)

Maynard has collaborated with Flaming Lips members in the past, including this Elton John cover:

Sip Wine announce Caduceus and Merkin wine sales for Aussies

Matt from Sip Wine emailed me this evening letting me know that bottles of Caduceus and Merkin Vineyards wine are now available to Australian customers. From the press release:

Only 300 bottles of Caduceus Cellars and 300 bottles of Merkin Vineyards 2012’s have ever left North America, and Australia has them.

Delivery Australia Wide, Free shipping for orders over $350

VISA, Mastercard and Amercan Express Accepted

Only Available at www.sipwine.com.au

These are the same guys who made some Merkin and Arizona Stronghold Wine available to Australians in the last couple of years. The wine is expensive, and I’m sure there will be some debate as to their value for money, but for those that want o support Maynard in his wine-making this is a good chance. Make sure you let them know Fourtheye sent you!

Melvins and Meshuggah announce new releases

The Melvins and Meshuggah have plenty in common. They both have toured with Tool. They both have great drummers. They both start with the letter M. And they both recently announced a new release.

Firstly, The Melvins have announced a new album called Hold It In set for release on October 14. The album features Buzz and Dale as usual, but rather than the usual four-piece, they are joined by Butthole Surfers Jeff Pinkus and Paul Leary.

“‘Hold It In’ is a refreshing piece of fiction in a boring world of fact and bullshit,” said Osborne.

“Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride.

“I can’t believe this actually happened. I’m thrilled.”

“It’s very rare you get a chance to work with three folks from the ‘Break A Wish’ foundation, all at the same time,” said Pinkus. “I believe they’ll remember their experience with me forever (or until they finally all lose their fight with S.I.D.S).”

Aussie Melvins fans should also remember that King Buzzo is doing his solo thing later this month.

Onto Meshuggah: they will be releasing yet another live DVD. Titled The Ophidian Trek, this release will have both a DVD and Blu-Ray version and features tracks recorded from their last tour. This includes a show from Wacken recorded in 2013.

Here’s a track listing:

Live DVD:
01 – Swarmer
02 – Swarm
03 – Combustion
04 – Rational Gaze
05 – obZen
06 – Lethargica
07 – Do Not Look Down
08 – The Hurt That Finds You First
09 – I Am Colossus
10 – Bleed
11 – Demiurge
12 – New Millennium Cyanide Christ
13 – Dancers To A Discordant System
14 – Mind’s Mirrors / In Death – Is Life / In Death – Is Death
15 – The Last Vigil
Live CD 1:
01 – Swarmer
02 – Swarm
03 – Combustion
04 – Rational Gaze
05 – obZen
06 – Lethargica
07 – Do Not Look Down
08 – The Hurt That Finds You First
09 – I Am Colossus
Live CD 2:
01 – Bleed
02 – Demiurge
03 – New Millennium Cyanide Christ
04 – Dancers To A Discordant System
05 – Mind’s Mirrors / In Death – Is Life / In Death – Is Death
06 – The Last Vigil

Brothers In Arms

July 2014 Tool Snoozeletter released

Blair has posted the July Tool Newsletter on Toolband, and it’s one of those “snoozeletters” that many of you like to complain about! It seems to allude to Tool moving a bunch of material (including recordings and demo’s) from one location to another. Interestingly Blair specifically calls out some of the newsletter “haters”:

Okay, that should be enough – forget about fusion jazz and fancy spuds for a moment. There IS something possibly of great interest to Tool fans, but I thought it best to start out with the usual stuff about the Baked Potato just in case certain people – the wrong people – happened to be reading this, with my thinking being that by this point they wouldn’t continue any further, and what I really want to say will remain hidden, so to speak, from them in the middle of just another Tool ‘snoozeletter.’ Hopefully, this has happened (they already stopped reading), and I can now tell you about something very strange. Well, hopefully.

Later in the newsletter he elaborates a little further on the materials being moved:

Inside the containers were Tool studio masters and slaves, ADATs, blank recording tape (?), and video and film footage, all individually labeled. Was this the footage that was taken many years ago for a possible live DVD? After the last boxes were loaded with a hand truck, I causally asked the band’s manager what was inside? “lenticular key-chains,” was the quick reply. Now, I didn’t need to be an expert on micro (facial) expressions to know that by using this ‘dangle’ there was something that someone was trying to hide. What these people didn’t know is that, before closing the door of the U-Haul, I took a couple of photos with my iPhone. If I remember to do so, I will post one or two of these on the ToolArmy site with a misleading caption (so not to be viewed by the wrong people).

Whether the remainder of the newsletter actually contains anything opf interest to Tool fans is open to interpretation (as usual). So prepare yourself a grilled chicken sandwich and have a read…

Couldn't find a photo of Mom's Grilled Chicken  so here's Chicken Pesto on Ciabatta Ficelle instead

Update: I got an email from Blair explaining that the first paragraph isn’t necessarily aimed at the usual Blair critics, and more at certain inside people he wants to avoid seeing the “meat” of the newsletter. Think what you will of this – maybe there is something really important hidden here? Maybe Blair just didn’t want management to know he picked such an expensive lunch order?

Adam talks Tool with Metal Hammer

Metal Hammer asked Adam a few questions about the legal issues facing Tool, as well as an update of sorts on the new album:

Speaking of writing music, how is the new material coming along and what kind of direction is it taking?

“We’re always on an experimental path. We never think about what worked on the last record or what’s good on the radio right now. It’s a selfish process, we just go in there with some riffs. We experiment and the riffs start to take a different path and over time, this riff from last week might go really well with this riff from two years ago. We piece stuff together, almost like a film soundtrack, you know? But I’ll tell you this – there’s a lot of stuff in 7/4. Breaking up 7 can sound like an even number to the listener even though it’s an odd number, that’s really exciting. Rosetta Stoned had some elements of that where we had a middle break and the end rhythm of 7 against 5. It kinda opens up a whole can of worms! There’s some really light stuff going on but there’s also a lot of heavy stuff in there too.”

If there’s one thing that can be said about Tool records, it’s that they’re always worth the wait… any idea on when it will be ready?

“Ah man, I really appreciate that. It’s refreshing to be interviewed by someone that loves music and actually knows about our band. Some of the journalists we’ve dealt with… it’s been insulting to be interviewed by people that don’t bother following music or even seem to like it at all – it’s just a gig for them to get a paycheck. This lawsuit has really gotten in the way, all we want to do is get it behind us so we can focus on what we do best. I don’t want to just get it out and worry about the next record, then look back and go, ‘Why did I do that? It’s a piece of crap.’ I want to sleep well at night, it’s my legacy you know? Some day, I’m gonna croak and I wanna look back on what I did and go, ‘I worked really hard, took the time and had integrity.’ I know our fans are frustrated and obviously want to hear new music. You gotta look at that in a good way and think, ‘Wow – they really like us and they want more!’ To be honest, you can’t beat that feeling at all.”

You can read the full interview here.

Tool outline legal woes and update us on song-writing

In a lengthy Tool interview with Rolling Stone, Adam and Danny outline the legal woes that have drained their time, resources and creativity over the last 7 years:

“And it’s costing millions and millions and millions of dollars to defend us,” Jones adds. “And the fans are all going, ‘We want a new Tool album. What the fuck?’ And you don’t want to pull people into your problems, because they don’t understand.

“But the point is, we’re fighting the good fight,” he continues. “We’re going to trial and we want to crush them. But every time we’ve gotten close to going to trial, it gets postponed and we’ve wasted money and time and it has just drained our creative energy. We bought an insurance policy for peace of mind, but instead we would have been better off if we never had it and just dealt with the original lawsuit.”

They also talk about progress in song-writing and tell us how the current work is coming together:

In fact, “heavy” is a word both band members use to describe their new sounds. “Sometimes I feel we get a little too proggy or too into exploring time signatures but not getting heavy enough for my taste,” Jones says. “There are some good nose-bleeding riffs happening, and I’m really happy about that. It’s not out-of-the-gate crazy heavy, but there are these little journeys with nice paths that end up very heavy.”

“It’s all a little more ‘metal’ sounding, if I may,” Carey says with a laugh. “I’m having fun drumming on it. There is one other song [beyond the 10-minute tune] that I would say is pretty much there. It’s another one that’s pretty gnarly with some good double-kick [drumming] going on in it.”

It’s a great article, and while not necessarily full of good news, it is nice to hear some substantial news in regards to song-writing on the album.

Thanks to the dozens of you who emailed me links to the article – these things always come out when I’m asleep!