A post on Toolband today reveals the cover for issue 2 of Adam’s 30 Days Of Night vs The X-Files comic:

I imagine it will hit stores soon!
A post on Toolband today reveals the cover for issue 2 of Adam’s 30 Days Of Night vs The X-Files comic:

I imagine it will hit stores soon!
A Perfect Circle have claimed a whole load of social networking pages recently, so it would appear that at least something is happening there. No word on what it will be at this stage, but my guess would be a couple of live shows.
For those interested, you can keep a track of them via the following avenues:
Don’t forget that Fourtheye is also on Twitter and Facebook…
Blair has released the July 2010 Newsletter on Toolband, and it’s a short one. It briefly discusses the tour, their plans to continue writing and a four seeded peanut:
I reached into a bag of peanuts, grabbed a handful, and upon cracking open the FIRST ONE, was amazed to see that it contained four perfectly formed peanuts. Immediately it hit me that this was a most auspicious sign – a harbinger of good things to come, as well as a signal from above that the unity experienced by the band members during the tour would carry over once it was finished, Indeed, I was confident that they would get right back to writing new material.
He also mentioned that they will not tour again for at least six months, so there should be plenty of time to do what they gotta do.
And now for some speculation on my part – the mention of six months before the tour may be significant. In about six months time the Australian summer music festival season will be in full swing, and perhaps we may see Tool featuring on that? The Soundwave festival lineup gets announced this week, and while I think a festival tour from Tool is reasonably unlikely, stranger things have happened (such as the recent tour), and recent hints at needing a passport in previous newsletters could be a clue…
A few more Blood Into Wine screenings are on the horizon:
According to some tweets from Maynard, the Jerome screening will feature several showings, and will feature Q&A sessions with Maynard (though I doubt he’ll be fielding Tool questions).
Also, there are a few DVD Release Parties planned that you may be interested in attending:
Enjoy!
The new Puscifer release Sound Into Blood Into Wine is now available for pre-orders on the Puscifer store. It contains a range of new Puscifer remixes, including some that will be familiar to those that caught Puscifer in Country Mode on their last tour.
The track listing is:
There was also a gentle reminder that the Blood Into Wine DVD will be released on the 7th of September.
I installed a couple of updates to Fourtheye this morning, mainly to do with comment formatting. You should notice now that both the Blog and Forum comment forms now have the ability to add code. In both areas bbCode is now supported (and recommended) however some html is allowed in both areas. For a quick guide on bbCode check here.
I’ve also tidied up the way Private Messaging works on the forum. Now rather than having to scroll all the way to the bottom, you can now see any outstanding messages (or terrible ones) at the top of the screen.
“What forum?” I hear you say! Well, there has been a forum on Fourtheye for a while now, and it’s getting along pretty well. If you’re interested in chatting with like-minded Tool fans, then head on over an say hi!
A couple of cryptic updates have appeared on the A Perfect Circle website over the last couple of days. I’ll leave them up to you to decide what they could mean:
2010-07-19 Movement
Subtle stealth movement. Keep eyes and ears peeled for clues thru all channels involving Ashes Divide and Puscifer.
2010-07-16 Stuff
…is happening.
…
Yet another interview with Adam today, this time with Crave Online. As with the previous interviews, it largely focuses on the upcoming art gallery, however Adam does talk about the tour, the setlist, Maynards voice and the writing process for the new album:
CraveOnline: I know you’re on tour now, but can you tell us anything about the new Tool record?
Adam Jones: We’re writing, we’re writing. It’s going a little slow. We’re trying to get our feet wet, just basically the three of us. Maynard’s been busy with his wine and his other band. That’s usually how it is – we’ll write and write, and then he comes in last and starts putting stuff in. It works, it is what it is and it works. It’s good. I love it.
I can’t really tell you any direction we’re taking or anything like that at this point. It just feels like the same as every time we get into it. We just write for ourselves, and when we’re happy with it we say alright, let’s go into the studio. I really like the process with those guys because we don’t worry about what worked on the last record or what’s selling or the single. You just write. You rip your guts out and… yeah. I’m so happy where I’m at and what I do with those guys. It just feels so good right now to be out on tour.
CraveOnline: How do you keep it fresh on tour? How do you build on these songs you’ve been playing for so many years at this point?
Adam Jones: This tour has been great because we’re actually doing a different setlist than we’ve been doing in the past. We’re getting older, and Maynard has trouble sometimes singing the older songs, from back when he was young and screaming his fucking head off all the time. His vocal chords are getting older and he can’t really do what he used to do all in a row in a string of back to back shows. So we’ve changed up the set a little bit, which feels really good. Once we actually get together and start playing, it’s so great. It’s so great hanging out with the guys and playing the songs. It comes back to keeping it fresh.
Sometimes in the middle of a song we’ll start jamming, or go off on some tangent of a song and come back. That’s a great way to keep it fresh too. Also we keep adding to our show, we put a lot of money back into the show because we want it to be stimulating. We want all the senses to be on overdrive. More lights, more visuals, more lasers, more soundscapes. That’s what I would want in a show.
CraveOnline: Sounds like we shouldn’t hold our breath for a Tool acoustic tour anytime soon.
Adam Jones: Um…. I don’t think so. (laughs)
A good read!
Adam must have a few things to get off his chest at the moment as there is another interview with him, this time with Erin Broadly of LA Weekly. Once again it’s largely about is artwork rather than Tool.
It also has this amusing anecdote:
Adam Jones: Oh, absolutely. I’ve got a funny story for you. Tool was in Denver at Red Rocks and it was the second show we played. Those shows went great; it was really fun. But I was trying to hook up with Buzz from the Melvins because they were playing a show at the Ogden Theater and I realized we’re not going to make the show, they’re going to be done. I was like, "Hey, I’ll try to get out as fast as possible to see you guys," and they said, "Ok, we’ll wait for you." So I was telling everyone, "I really wanna go see the Melvins," and they said I could do a runner after the show — they’d get me right off stage, into a van, and get me out of there. [Laughs] I jump in the van after our show with Maynard and there are two cop cars. They put on their lights so we had this police escort going 80 or 90 miles an hour down the freeway to go see Buzz from the Melvins.
[Laughs] My god.
Adam Jones: [Laughs] It was the most rock cliche moment of my life. It was really funny. Those guys were all laughing at me. I told Buzz and Buzz goes, "Yeah, I had one of those once but they took me to jail."
Thanks to ebackwardse for the tip.