A Perfect Circle track featured in Safe trailer

Matt sent me an email a few days ago pointing me to the trailer for the new Jason Statham movie Safe, which features the Apocalypse remix version of A Perfect Circle’s The Outsider:

The movie looks like an ok, if somewhat generic action movie.  If you want more details then check out the Safe IMDB page.  Personally I haven’t heard that remix of The Outsider before, so I might have to see if I can get a copy of it from somewhere…

Feersum Ennjin’s “The Fourth” featuring Danny

The new track by Feersum Ennjin called The Fourth have been released.  This track features Danny recording with former Tool bass played Paul D’Amour for the first time since Undertow.  Thanks to Revolver the track can now be previewed!

What do you guys think?  The new album can be pre-ordered on Amazon.

Tool & Justin feature in meaningless polls

Here at Fourtheye we love robust debates, and nothing triggers mass debates like internet polls.  In this weeks edition we have two polls.

The first is from Music Radar where readers have voted on the Top 25 bass lines of all timeJustin’s work in Schism comes in at 10th position.  Here’s the whole list:

  1. Hysteria – Muse (Chris Wolstenholme)
  2. YYZ – Rush (Geddy Lee)
  3. Another One Bites The Dust – Queen (John Deacon)
  4. Under Pressure – Queen & David Bowie (John Deacon)
  5. Money – Pink Floyd (Roger Waters)
  6. Orion – Metallica (Cliff Burton)
  7. Billie Jean – Michael Jackson (Louis Johnson)
  8. Roundabout – Yes (Chris Squire)
  9. My Generation – The Who (John Entwistle)
  10. Schism – Tool (Justin Chancellor)
  11. Give It Away – Red Hot Chili Peppers (Flea)
  12. The Lemon Song – Led Zeppelin (John Paul Jones)
  13. Taxman – The Beatles (Paul McCartney)
  14. Good Times – Chic (Bernard Edwards)
  15. The Chicken – Jaco Pastorius
  16. Walk On The Wild Side – Lou Reed (Herbie Flowers)
  17. What’s Going On – Marvin Gaye (James Jamerson)
  18. Stand By Me – Ben E King (Wendell Marshall)
  19. The Guns Of Brixton – The Clash (Paul Simonon)
  20. Sweet Emotion – Aerosmith (Tom Hamilton)
  21. Super Freak – Rick James (Oscar Alston)
  22. Pusherman – Curtis Mayfield (Joseph ‘Lucky’ Scott)
  23. These Boots Are Made For Walkin’ – Nancy Sinatra (Carol Kaye)
  24. In The Midnight Hour – Wilson Pickett (Donald ‘Duck’ Dunn)
  25. Make It Funky – James Brown (Fred Thomas)

Some excellent basslines there.  I’m sure #1 will cause lots angst amongst you readers, so lets get it out in the open.

Tool feature in the next poll, which happens to be Rolling Stone’s readers Top 10 Metal Bands of All Time.  While I’m not sure Tool are a metal band strictly speaking, they managed to take the 10th position:

  1. Metallica
  2. Dream Theatre
  3. Black Sabbath
  4. Iron Maiden
  5. Slayer
  6. Megadeth
  7. Judas Priest
  8. Led Zeppelin
  9. Pantera
  10. Tool

Dream Theatre must have a lot of Rolling Stone reading fans, but at least RS readers have the good taste not to include Slipknot.

October 2011 Tool Newsletter

Blair’s October 2011 Tool newsletter has been released, and it’s the Samhain/Halloween edition!  A relatively short one, but touches on the bands apparently commitment to getting the next album done, as well as a range of other interesting (or irrelevant depending on your point of view) topics.

Apparently in the next newsletter there might be some news on the new Tool website.

Don’t forget that tonight Blair will be playing some tunes on Children of Saturn, and Puscifer will be appearing on David Letterman playing Conditions of My Parole.

Maynard talks about Puscifer and updates us on APC & Tool

UncleJackson emailed me today with this quite interesting interview with Maynard on Loudwire, where he mainly discuss Puscifer, but also comments on his recent work with A Perfect Circle, and the progress on the new Tool album.

Here’s a bit I know interest the majority of you:

Tool are reportedly working on a new album, as well. In the past, you’ve expressed frustration with sitting around in the studio with guitarist Adam Jones and drummer Danny Carey’s aesthetic of going over endless combinations of song structures before committing to anything.

I’m allowing them their space to do what they do, so we’re still in that mode. Even if they told me how close they are to being done, I couldn’t tell you because if I say 60 percent people will start counting down. When it’s done everyone will know. But I haven’t done anything yet. They write forever and then we go in and knock it all out. We’re writing. We’re writing vocals. But nothing’s solid. With Puscifer, there’s ideas and then we’ll record stuff. Then we’ll go back and change stuff and fix stuff and record new stuff before we finally put it all together. But with Tool, we practice jams, but there’s no actual recording going on until it’s time to record.

Are you prepared to tour for a year for the next Tool record whenever it’s ready or have you put your foot down and said, “I don’t want to spend my life on the road.”

It has nothing to do with putting my foot down. Physically, I can’t do it, so that’s not gonna happen. We will tour, but it won’t be the old school dog and pony show of eight months of beating yourself to death.

For most bands now, staying out on the road for a year-plus and selling lots of tickets and merch is the only way to make money because their albums are being downloaded for free by file-sharers.

How much do you need, really? If we can make a living going out for a few weeks a year and keep people satisfied by making sure we play the locations we need to hit, I’m not Kirk Hammett. I don’t need to buy $10,000 guitars every day. That’s not my lifestyle. I love Kirk, but that’s not me. I have a very sustainable vineyard industry in the Valley which will eventually start to pay its own bills.

I love to go on the road and play music for people and express myself, but for it to be something where I’m out there to make money, that’s depressing to me. You end up beating yourself up. Who gives a s–t how much money you have if your back hurts so much you can’t stand up. Money’s not the goal. Having fun making the art, that’s the goal. Finding a nice, happy medium. Being healthy and still expressing what you need to express in an effective way, that’s the ideal.

The end of lengthy world tours comes as no real surprise to me.  I’ve said before (at least in the forums) that I expect Tool’s touring habits will become a little less album orientated, where they hit the road for a month or two once every year or so.  Though I imagine with the new album there will still be a world tour, it just may not be so tightly scheduled as it has been in the past.

Danny records with Feersum Ennjin

Looks like in between playing with King Crimson, Volto! and writing Tool songs, Danny has found time to record a track with Feersum Ennjin called The Fourth.  Here’s the story from Facebook:

We’re moving the release date of "Feersum Ennjin" back to Nov. 22 so we can include a new song, "The Fourth." "The Fourth" was recorded very recently and reunited Paul with his former band mate, Danny Carey, for the first time since 1995′s Aenima.

Should be an interesting album, and I’ll definitely be giving it a listen!

Conditions of My Parole video, Arizona Stronghold Tasting

According to a tweet from Maynard the other day, Rolling Stone will premiere the video for Conditions of My Parole on Monday morning. I expect it will follow the prison theme that seems to have dominated the artwork on the latest Puscifer album (which in case you’ve forgotten was released a few days ago!).  There’s also an interview with Maynard on Artist Direct.

I came across the 20 Brix website today, which has an Arizona Stronghold wine tasting being held this Tuesday the 25th of October. The 20 Brix Wine Bar is in Milford, Ohio, and the evening will in theory feature five wines as well as food matched to the wine you’ll be tasting.  Here is a little more detail:

Tuesday October 25th
Arizona Stronghold
Maynard James Keenan of the band Tool has a hand in the production of these wines. 
Come taste great wines from this New World Region
6:30pm
$60

Sounds a little expensive, but if this sounds like your thing, and you live in or near Milford, check it out!

In other news, there have been some technical issues with Fourtheye which I’ve spent a little time fixing tonight.  Some of you may have noticed missing comments, slow response time and timeout, but fingers crossed those issues are resolved now.  Let me know if any of you have any further queries.

Maynard & Paul Revolver Double Tag Team

In a Revolver double header today, we have news from both Maynard and former Tool bass player Paul D’Amour.

Firstly, Maynard talks briefly about the release of the new Puscifer album Conditions of My Parole (which should be out now!).  When asked about Tool he mentioned:

How many times a day does someone ask you about a new Tool record?
At least 20… Wait, what time is it? 22. Twenty-two times. For most people, where I started was there. Most people assume the success of anything I do is based on Tool, when they don’t realize that I was successful at things long before Tool. Tool didn’t get me in Westpoint, Tool didn’t get me distinguished graduate from basic training, Tool didn’t get me on the student council, and Tool didn’t get me my 12 varsity letters. But the public eye assumes that’s the thing I should be doing. I just hold my tongue and do what I do.

Read into that what you will (and I know you will!)…

Paul’s news involves a new track from his band Feersum Ennjin.  Keeping on the Tool theme:

For people who don’t know, why did you quit Tool in 1995?
Well…hmm, I guess sometimes things just run their course. New steel must be forged and battles fought.

Do you ever regret the decision?
I like to try and live in this moment, not in the past. However, I definitely miss that feeling when the power of those four people playing together was at its peak. There were some amazing moments when things were razor sharp and that wall of sound took over.

Here’s the song Fishing Ground for your listening pleasure: