Re: Nine Inch Nails
Posted: Fri Apr 04, 2014 3:04 pm
That new-ish version of Sanctified was fucking amazing in a huge arena on that PA. But I love really deep, dark house music.
um ... no ... it's near unlistenable for the most part ... even in a live setting the new tracks fell flat apart from the band 'intro' performance piece that Copy of A was as an opening track ... sandwiched in the middle of the show and it would have been just as underwhelming as the rest of this record ... I do agree on the slip though, that was mostly a pile of dogshit, too, but at least it had a single redeeming instrumental track on it.M0G wrote:Hesitation Marks is excellent
Uh no you are wrong. Hesitation Marks is excellent. Production is masterclass. Fantastic album. Couldn't give a shit if it translated poorly in a live setting. Not all albums do.petemasterpete wrote:um ... no ... it's near unlistenable for the most part ... even in a live setting the new tracks fell flat apart from the band 'intro' performance piece that Copy of A was as an opening track ... sandwiched in the middle of the show and it would have been just as underwhelming as the rest of this record ... I do agree on the slip though, that was mostly a pile of dogshit, too, but at least it had a single redeeming instrumental track on it.M0G wrote:Hesitation Marks is excellent
I used to prefer his older releases...The Fragile is a masterpiece no doubt...but at this point I prefer the direction he has moved into. Year Zero, Ghosts, HTDA, Hesitation...etc.....I like the more experimental aspect of what he is doing now. I think his production skills are off the charts at this point.Ravenpig wrote:I like Hesitation Marks more than I did when I first heard it, though it is obviously not in The Fragile/TDS territory.
Having said that, I thought the songs actually sounded better in a live setting. Copy of A for example, kicks much more ass live. Has balls that it doesn't on the album.
I really enjoyed Year Zero ... just spun it the other day and I think Ghosts is fucking brilliant ... listen to it as much as I listen to any of his catalog ... HM does nothing for me ... I respect his honesty in making what he wants, I just think it's lacking ... production means nothing if there's no substance, and for me, that record has noneM0G wrote:I used to prefer his older releases...The Fragile is a masterpiece no doubt...but at this point I prefer the direction he has moved into. Year Zero, Ghosts, HTDA, Hesitation...etc.....I like the more experimental aspect of what he is doing now. I think his production skills are off the charts at this point.Ravenpig wrote:I like Hesitation Marks more than I did when I first heard it, though it is obviously not in The Fragile/TDS territory.
Having said that, I thought the songs actually sounded better in a live setting. Copy of A for example, kicks much more ass live. Has balls that it doesn't on the album.
I just dig that he is willing to try different things. He isn't making the same album over and over again.
Fuck I love when Reznor and Ross work together. Thanks Zig.ziggy23 wrote:LISTEN TO NEW TRENT REZNOR AND ATTICUS ROSS “GONE GIRL” CONTRIBUTION
A website called Find Amazing Amy that hypes up the movie. By visiting that site, you can hear an as-yet-untitled musical contribution by Reznor and Ross.
http://www.findamazingamy.com
Could not deal with 40-something Reznor finding "fresh" new ways to whine and dwell in the same space he used to. Love the old songs dearly, but very pleased with the direction he's taken things. It's hard when you're known for angst-ridden stuff to gracefully move into something else.M0G wrote:
I just dig that he is willing to try different things. He isn't making the same album over and over again.
cosigning that. owns live too.petemasterpete wrote:^song fucking owns
this is incredible. great find. props.iloveposters wrote:
Live version of MOTP filmed in Melbourne by Rob Sheridan on stage, shot in 4k resolution
Hot Damn